Hi all,
I have been happy taking up traditional black and white printing. However, now I am demanding more and more from my prints. I am getting better at exposure and contrast control (I have en Ilford Multigrade enlarger), but I find that impurities, mainly dust and fibers, appear on my prints too often. This is especially a problem with dark skies in landscapes when using orange or red filters.
Can any of you experienced printers help my solve this problem? Using anti static cloth and compressed air doesn't seem to work as well as I hope. I am just not doing it thoroughly enough? Should I clean my enlarger more often/better? Are there any specific steps I can take? I think most of the problems comes from dust and fibers on the negative holder, which as you know has four planes of glass for dust to land on.
Any help is much appreciated.
After seeing an Ansel Adams exhibition, I realize that I must be able to do a much better job!
Thanks,
Mc
I have been happy taking up traditional black and white printing. However, now I am demanding more and more from my prints. I am getting better at exposure and contrast control (I have en Ilford Multigrade enlarger), but I find that impurities, mainly dust and fibers, appear on my prints too often. This is especially a problem with dark skies in landscapes when using orange or red filters.
Can any of you experienced printers help my solve this problem? Using anti static cloth and compressed air doesn't seem to work as well as I hope. I am just not doing it thoroughly enough? Should I clean my enlarger more often/better? Are there any specific steps I can take? I think most of the problems comes from dust and fibers on the negative holder, which as you know has four planes of glass for dust to land on.
Any help is much appreciated.
After seeing an Ansel Adams exhibition, I realize that I must be able to do a much better job!
Thanks,
Mc