Medium Format Forum

Register a free account now!

If you are registered, you get access to the members only section, can participate in the buy & sell second hand forum and last but not least you can reserve your preferred username before someone else takes it.

Hasselblad V Series Images

Yes Paul , you are right , but at that time I could still not afford a HASSELBLAD , and the loss was painful for me .
Today , with all my beauties , all is forgotten .

But still , I do believe , that sand is the biggest enemy for any camera .


You are quite right about sand.
And Jürgen, I started 6x6 with the poor mens Rollei, the Rolleicord.
I still remember how surpised I was the pictures were so much better than the ones I made with my Leica M 4.

No doubt about it, size matters!


Paul
 
I started 6x6 with the poor mens Rollei, the Rolleicord.
I still remember how surpised I was the pictures were so much better than the ones I made with my Leica M 4.
No doubt about it, size matters!
Paul

Paul, I learned the same lesson in 1982 with a Rolleicord Vb.

Can you explain why the next 26 years have been spent foolishly trying to match the Rolleicord quality with relatively massively expensive Leica lenses and now pro digi cameras ? :)
 
I thought I'd try to encourage members to post more images by starting this dedicated thread for our (recent?) Hasselblad V series images.

I hope the administrators here have no objections but if they do then obviously please feel free to delete.

Chios_red_window.jpg


Chios, Greece. 50mm CFi, Velvia 100, 1/60sec f11. Scanned on ancient Epson flatbed.

Damned Keith, I keep coming back and admiring this shot. It's like a modern Painting.

Okay, so how do I buy a print? What sizes are available? If you only have it from a flatbed, how about if I scan it on my Imacon 949? :z04_breakdance.gif:
 
Hi Marc

Really pleased that you like it, it's probably my favourite from the series shot on Chios.

I'm off to Greece again soon but on my return I'll be having a whole lot more images drum scanned including this one. I should have the print of this image up for sale on my website by the end of October; in any case I'll send you a PM when it's available. Thanks for the interest, much appreciated.

Best

Keith
 
Can you see the hut - there really is one - somewhere. In my effort to contribute to Jürgen' calender project it seems I keep getting sidetracked by trees! Hassi 503cx, 180mm f4 Tessar, orange filter, Tmax 100.
testhuts053small.jpgs
 

Attachments

  • testhuts053small.jpg
    EXIF
    testhuts053small.jpg
    126.9 KB · Views: 274
You are quite right about sand.
And Jürgen, I started 6x6 with the poor mens Rollei, the Rolleicord.
I still remember how surpised I was the pictures were so much better than the ones I made with my Leica M 4.

No doubt about it, size matters!


Paul

Paul,
My first medium format camera was a twin lens Yashicamat 124, bought at a K-Mart, in 1971 for $95 plus tax brand new. I was hooked with the first roll of Kodak Verichrome b&w film I processed. Anyone else remember that venerable old film? I cannot remember a better b&w film, bar none, although it was strictly an amateur film with an extremely wide latitude.
Anyway, I was so amazed as the initial 8x10's were pulled from the fix - they were so much better than anything I was getting from 35mm at the time. So much so, that I decided to save up and buy a Hasselblad 500C, which I had read about as being the finest camera available. In Feb, 1972, I sent a check for about $620 to a NY mail order house for a brand new 500CM "kit," with chrome 80mm lens and A12 back. Been shooting with a 500 series ever since.
Along the way, I've owned many Mamiya cameras, including a 6x9 press rangefinder, C330 twin lens, RB and RZ's. I've also owned two Fuji 6x9 rangefinders with 65 and 90 lenses, plus a very beautiful Zone VI 4x5 field camera made of natural cherry wood with gold plated hardware. I've enjoyed them all, but they've all parted ways with me at one time or another.
And while these, and many other "systems" have occupied space in my camera cabinets, there's always been a Hasselblad and a few Zeiss lenses on one of the shelves. Today, other than a few old Nikon bodies and lenses, plus one Fuji S2 Pro DSLR, Hasselblad is all that's left. And under excruciating circumstances, will be the last camera to ever leave.

How about anyone else - care to disclose your first medium format experiences?
 
Michael

How much there is in common ! ! !
After I lost my unrepaireable ROLLEI CORD (the grey one) in that tiny sandstorm , I got a MAMIYA
C330 with the 80mm and the 180mm lens .
I found the 180mm to be an absolute top lens for portraits .
Not as sharp as the CZ 180mm lens but that lens had the flavour , the CZ 180 does not have .
But I did not forget about a HASSELBLAD , which , at that time was as far away as planet mars .

So eventually , I could aquire a 500C/M and then sold the C330 .
I did not really regret this , but sometimes I thought very tenderful back to the times , I shot portraits with that C330 180mm lens .

I think MAMIYA lenses are great .

Jürgen
 
How about anyone else - care to disclose your first medium format experiences?


That is exactly what I thought. Thinking back of days long gone.

The same thought came to me when I recently did some reading in the first book on Hasselblad I had:
Hasselblad Photography by Les Barry.
It came with the 500C kit I bought from my dentist.
" The only difference between the 1000F and the 1600F lies in their respective maximum shutter speeds"
Not many users of those early cameras will agree with that statement now.

Some more stories about getting acquainted with MF and Hasselblad are most welcome here.

Paul
 
How about anyone else - care to disclose your first medium format experiences?

My first experience with medium format was at Art College in the 1960s when I used a Rolleiflex TLR and subsequently bought a Rolleiflex T.

I've never been particularly interested in equipment, the thing that really interested me was the format. I've been hooked ever since.
 
How about anyone else - care to disclose your first medium format experiences?

Mamiya C220 about 20 years ago....which I still own. I wandered all over everywhere with that camera, either in a small shoulder case, tucked into the panniers on my bicycle or in a backpack. Some wonderful photos of the Southwest etc. with that camera. Then a Pentax 67 and now the Hasselblads. All of them head and shoulders above the Pentax, Nikon and Canon 35mm cameras I've owned as well. Only thing that tops it is my 4x5 view cameras....but those don't come out of the closet nearly as often as the MF gear does!

Gary Benson
 
Time for another V-system image. This one with my 503CWD-II.

Gary Benson
 

Attachments

  • A0000020-Ship Creek Tugs & Barge-CLR.jpg
    EXIF
    A0000020-Ship Creek Tugs & Barge-CLR.jpg
    201.8 KB · Views: 241
  • A0000020-Ship Creek Tugs & Barge-CLR.jpg
    EXIF
    A0000020-Ship Creek Tugs & Barge-CLR.jpg
    201.8 KB · Views: 242
Thanks for all the Mamiya, Rollei, Yashica, Seagull TLR cameras.

Many of us were convinced by the quality of MF by using these cameras.

Bladdered,

Once the MF virus hit me I hardly used any 35 mm cameras anymore.
A decent Leica lens is about the same price as a CZ lens for Hasselblad.
 
I hope the administrators here have no objections but if they do then obviously please feel free to delete.

Chios_red_window.jpg


Chios, Greece. 50mm CFi, Velvia 100, 1/60sec f11. Scanned on ancient Epson flatbed.


No problem at all Keith.
Posting here may even sell a couple of prints.
Nice to know Marc is interested in modern art!
 
Could we have some more images please? I desperately need some eye candy on this dismal rainy grey (you get the picture) Saturday morning.
And man thanks to those who have made the effort to post - the CFV image quality is striking - as is Velvia on a Greek background. Swissblad.
 
Wonderful - very evocative. Any tech details?
Thanks for posting.
Attached - something to match our inclement weather at the moment.
Cheers
Swissblad

forumvelvia2.jpg
 

Attachments

  • forumvelvia2.jpg
    EXIF
    forumvelvia2.jpg
    117.2 KB · Views: 226
Nice to know Marc is interested in modern art!

I was a painter long before I took up a camera in ernest, and I have a life long love of modern art. Half of my photography collection is made up of famous photographer's images of artists.

Photography crept into my own fine art little by little ... did Cubist studies by pasting drug store proofs on a canvas board and painting them ... the portrait of my 1st wife shown below won "best of show" in a prestigious multi-media art competition.

I also used camera parts in some of my constructions. The 6' tall portrait of my Japanese ex-girlfriend Miko was done using photos as reference.
 

Attachments

  • Painting 3.jpg
    EXIF
    Painting 3.jpg
    357.7 KB · Views: 217
  • Painting 9.jpg
    EXIF
    Painting 9.jpg
    465.8 KB · Views: 212
  • Painting 7.jpg
    EXIF
    Painting 7.jpg
    276.4 KB · Views: 220
  • Painting 2.jpg
    EXIF
    Painting 2.jpg
    325.8 KB · Views: 216
  • Painting 3.jpg
    EXIF
    Painting 3.jpg
    357.7 KB · Views: 217
  • Painting 9.jpg
    EXIF
    Painting 9.jpg
    465.8 KB · Views: 213
  • Painting 7.jpg
    EXIF
    Painting 7.jpg
    276.4 KB · Views: 220
  • Painting 2.jpg
    EXIF
    Painting 2.jpg
    325.8 KB · Views: 216
Here's a couple from a recent visit to Magnolia Gardens, in Charleston, South Carolina. I shot these on film - the new Velvia 50, scanned with a Nikon LS9000. Used a 501CM with 180 CF lens on the first one, and a 100 CF on the second.
 

Attachments

  • Web720ppi.jpg
    EXIF
    Web720ppi.jpg
    109.5 KB · Views: 216
  • Web720ppi.jpg
    EXIF
    Web720ppi.jpg
    109.5 KB · Views: 216
  • Web720ppi2.jpg
    EXIF
    Web720ppi2.jpg
    146.2 KB · Views: 224
  • Web720ppi2.jpg
    EXIF
    Web720ppi2.jpg
    146.2 KB · Views: 224
Marc and Michael,

The both of you do succeed to amaze me every time again.

I like the portraits you did Marc.
A touch of surrealism is what makes them interesting.
They keep drawing attention.


Thank you for showing those.

Paul
 
Back
Top